Steven W. Alloway, Fanbase Press Contributor

Steven W. Alloway, Fanbase Press Contributor

This may be the second volume in a larger story, but it’s important to note that Infinite Loop: Nothing But the Truth is mostly standalone. If you haven’t read the first volume, you won’t be lost trying to keep up. Most of the important information is explained quickly and clearly in the first few pages. Though, of course, the first volume is very good, too, and I highly recommend you check it out, as well.

To say that this comic is a modern retelling of the Greek myth of Persephone doesn’t really do it justice. That’s what it is at its core, but the story ends up being so much more than that. With this comic, writer Loïc Locatelli Kournwsky has created an entire world, rooted in Greek myths, but also very much its own entity—and fascinating to read.

If you decide to read this comic (which you should - it’s a lot of fun), do yourself a favor and don’t read the given synopsis first. It says a number of things about the plot that aren’t really revealed until the end of this issue. While I’m not sure I’d exactly call them spoilers, I think it’s much more engaging if you discover these things as you read. As such, I’ll try to avoid talking about them in my review. It won’t be easy, considering that one of those things is the protagonist’s name.

I would have loved this comic when I was a kid. A fun, comprehensive look at what robots are and their place in both science and society, it’s packed with robot facts, history, examples, instructions, and more. It’s exactly the sort of thing that would have captured my young imagination and inspired me to want to go out and build robots of my own—possibly a whole army of robots programmed for world domination, because I was an ambitious and somewhat disturbed child. But I digress.

Love is in the air at Fanbase Press! In this magical month of romance and enchantment, the Fanbase Press Staff and Contributors decided to stop and smell the roses. Throughout the week of Valentine’s Day, a few members of the Fanbase Press crew will be sharing their personal love letters to the areas of geekdom they adore the most.

What do you get when you cross Neil Gaiman with H.P. Lovecraft? Probably nightmares, to be honest. But, more specifically, you get Only the End of the World Again, a short story about werewolves, old gods, and strange creatures of unfathomable horror.

This may be Superman’s strangest set of adventures yet. Keep in mind, I’ve read and reviewed three of these collections of Superman’s Sunday comic strips from the '40s and '50s already, so I know what I’m talking about. In the past, I’ve seen Superman transformed into an intelligent toddler. I’ve seen him put on his own one-man circus to save a down-on-his-luck ringmaster from ruin. I’ve seen him submit to a series of tests by the Metropolis Skeptics Society in order to prove his own existence. Still, none of that compares with some of the adventures in this volume.

Things get pretty intense in this issue. A lot has already happened in the two short installments we’ve already had. Our time-traveling outlaw hero, Teddy, found herself stranded in a town ironically named Prosperity. The citizens are poor, depressed, and addicted to virtual reality. Since their lives in the real world are difficult to bear, they retreat into fantasy instead of facing things head on. This, in turn, eats up all of their money and keeps them from facing or fixing their problems, so they remain poor and depressed forever. It’s an infinite loop, not unlike the one the series is named for.

The first volume of Black Hammer was great. This one is even better. The more I read, the more I want to read, and the more engrossed I become in the world that writer Jeff Lemire and artist Dean Ormston have created. It’s a mystery that unfolds page by page, issue by issue, full of incredible characters and brilliant twists. I can’t recommend this comic enough.

There’s a lot of fun to be had in this comic. Set in the early '20s in France, the art style is reflective of that era and setting, which helps to add to the immersive quality of the world in which the story takes place. The story itself is a tribute to murder mystery/adventure stories of that era and features a number of colorful characters to that effect.

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