Adamant is about a superhero who’s suddenly flung into a strange and unfamiliar future. In the first issue, we saw our titular hero arrive in this new world, completely bewildered by his surroundings (which included a human-sized talking frog, along with a very interesting evolution of slang). In this issue, we get to see a little more of this world and get a slightly better idea of just what’s going on.
The first issue of Warp Zone is fun, but a little difficult to follow. We’re introduced to several characters but aren’t really told who they are or what they’re about. As such, events are a little bewildering. Fortunately, in issue #2, we’re given a brief overview to help us keep things straight as we embark onto a strange and crazy adventure.
Bullet Gal has been making appearances in Andrez Bergen’s work for a long time now. She started out as a seemingly minor character in his noir superhero novel, Who Is Killing the Great Capes of Heropa?, who turned out to be more important than you thought. She then found her way into one of his later novels, Depth Charging Ice Planet Goth, before starring in her own 12-issue comic, a prequel to Heropa. Now, Bergen has adapted that comic into its own novel, and it all comes full circle.
It’s been way too long since the last issue of Future Proof. Issue #11 involved the mysterious figure from previous issues (apparently called “Umbrella Man”) stepping out of the shadows and organizing a crew of time-traveling supervillains that included Jim Morrison and Amelia Earhart. So, you can see why I’ve been anxious to see how the story continues. Rest assured that this issue does not disappoint.
What would you do if you discovered you couldn’t die? What would you do if you couldn’t die, but had nothing left to live for? What would you do if you couldn’t die, but could still get hurt really, really badly?
To describe the plot of Cry Havoc makes it sound like the kind of story you’ve heard a hundred times before. Lou is an ordinary English woman who’s bitten by a werewolf, causing her to gain extraordinary abilities and a terrifying dark side to her personality. She’s then recruited by the U.S. Army into an elite group of others with strange and extraordinary abilities who are tasked with Lynn Odell, formerly one of their ranks who has now gone rogue—and who is also a werewolf. The plot, laid out in that way, seems fairly standard, the sort of thing you’ve read in a dozen other comics just like this. Only the story of Cry Havoc is anything but standard, and you definitely haven’t read anything like this.
Since Jonesy first began, one of the most interesting characters has been Jonesy’s secret crush, Stuff. A teen pop sensation with an odd sci-fi persona, he’s thus far been mainly in the background - talked about and seen in video clips, rather than appearing directly. Until now. In this issue, we finally get to meet the legendary Stuff.
I know a number of people who, when confronted with any sort of story involving time travel - from Primer to Back to the Future - will say, “I don’t understand time travel stories. They’re confusing.” If this accurately reflects your own attitude towards time travel, then stay far, far away from Past Aways. It will have you scratching your head practically from the first page and only gets more complicated from there; however, if you’re more like me and eagerly devour time-travel fiction in any form you can find, then this is definitely the comic for you. The story is strange and intricately crafted and a whole lot of fun from beginning to end.
This is it. After nearly three years and three volumes, Velvet #15 marks the end of the storyline. And, how do we open it? With Velvet Templeton, our intrepid hero and rogue agent for lo these three years, lying dead on a slab, as the agent who’s been after her for much of that time relates the story of their final battle.
10 years ago, an elite group of superheroes kept Spiral City safe from peril. Then, something happened. Some as yet unexplored circumstances brought them from their teaming metropolis to a small farm town, from which there seems to be no escape.