Think Tank is the smartest comic book to exist, from everything I've seen. The research completed for the series alone is worth several dozen articles on the immense amount of care that Matt Hawkins puts into this series, and all of it pays off as this volume, entitled “Animal,” plays out. While judging by what has been said and the rumors that have been swirling around the book and its status, this might be the last part of Think Tank as a comic book series. If true, it's a fitting run to one of my favorite titles is the last few years.
This is a very strange story, as Morty (also known as Evil Morty) finds himself ready and willing to do the unthinkable: take on the council of Ricks in an attempt to stop the collection and forced combat of Mortys. In doing so, Morty has put a huge target on his back, drawing the ire of the Ricks, as well as many others. This is all to say that this world is pretty messed up, and the alternate reality where Pokemon-style hijinks ensue causes some ridiculous and hilarious things to happen to poor Morty.
Being back in the world of Alex De Campi's Bankshot is a good feeling, though not one I've yet to fully understand. After last issue, we saw Marcus King - and how he became the unstoppable force he is - repaired by a controversial and dangerous science after being shot in the back and left for dead. Paralyzed, he was given a second chance and the ability to walk again, with some upgrades. Now, he fights for himself, with both the American government and his biggest adversary, a man known as the Dutchman, out to stop him. The only problem is that this is harder to gauge than is preferred.
A look into history is something that will always be popular, as so many of us love to find out what happened to those who came before us and share the stories of those who helped to pave the way for what we have now. These stories take a look at some of those people and events that helped to shape our world in one way or another.
An unusual category for a short film festival, this category featured a bunch of short pilots for television shows not yet being made. Mostly set as comedies, these shows are brief glimpses into what could be the next generation of television shows, and for the most part, that is a bright future, based on what was shown here.
This year's drama entries were nothing short of beautiful and well worth their name. Featuring some well-known names and some surprising newcomers, this was a mix of the darkly funny, the wonderfully aching, and the occasionally uncomfortable. It was nothing short of a beautiful mix of emotions and premises that really spoke to the heart.
Working in comedy can be high risk yet high reward, as it can all depend on your ability to get a certain reaction out of an audience. Plus, humor is very subjective, which makes it a great form of entertainment, but sometimes hard to pull off. Dark comedy, a sub-genre that blends comedic stylings with something a bit more unique, can be even more challenging, as it takes very taboo topics and depicts them in a funny and entertaining way, or puts a new spin on some well-worn comedic styles. The group of filmmakers at this year's HollyShorts were able to blend humor and discomfort very well, making for some very interesting films. As one of my favorite blocks as a whole of this year's festival, each film really brought something to the table.
This year's HollyShorts had a great cadre of films on their roster, and some of the more interesting ones were during the Period Piece block. With a focus on a time period, each one brings its own attitude and thoughts to whatever period it chose, with films ranging from World War II to the early 1990s and much, much more.
Dance and music are incredible art forms to express through film, as so much of it is subjective and much not actually spoken. From musicals to interpretive dance, these films push the boundaries of the way films can be made and how art can be expressed through different mediums.
One of the biggest parts of festivals like this is the ability to show off not just films from American creators, but those from other parts of the world, as well. This block of films focuses on international filmmakers, giving them all a chance to show the beauty of their work.