In the final hours of this year’s Long Beach Comic Expo, as the attendees began to trickle out and a few vendors closed shop early, the panel programming was still vibrant with activity. One well-attended panel was the “Writer Seeking Artist: Finding and Maintaining Healthy Collaboration,” full of budding writers eager to be instilled with advice on how to partner with an artist in hopes to see their stories come to fruition. The panel was moderated by Rosie Knight (Cougar and Cub) with Kelly Sue Milano (Hex11), James F. Wright (Lupina, Nutmeg), Johnny Parker II (Elvish, Black Fist and Brown Hand), Joshua Henaman (Bigfoot: Sword of the Earthman), and Nick Marino (Cougar and Cub, Holy F*ck) participating as the subject-matter experts.

While many folks attend comic book cons for the “con experience” of meeting celebrities, buying art, and viewing all the cosplay, there’s still a significant amount of attendees that take advantage of the various workshops and panels that offer access to decades of industry knowledge and insight from the professionals who make themselves available.

Since its inception in 1999, IDW has become the premier comic book publisher of licensed IPs from movies and television shows. From '80s staples such as My Little Pony, Transformers, G.I. Joe, and Jem and the Holograms to more modern fare such as Silent Hill, Orphan Black, and CSI, IDW has given older properties renewed life and rejuvenation through continued stories via sequential art, employing amazingly talented writers and artists in order to give the properties justice; however, even though the licensed material is what IDW is known for, the publisher also has a handful of creator-owned titled as well, such as Amelia Cole, Satellite Falling, and The Electric Sublime! that all deserve underscoring, as well.

The SoCal Retro Gaming Expo held its 2017 winter edition convention this past weekend, on February 4th and 5th at the Ontario Convention Center. Previously, the convention’s 2016 summer show was held at the Frank and Son Collectible Show in the City of Industry and was a one-day affair. (Read the Fanbase Press coverage of the summer edition here.) Although the winter convention was a two day event, this write-up serves to document Sunday.

New Jersey’s largest indoor toy, comic, collectibles, and gaming con, ToyConNJ, was held the weekend of November 12 and 13 at the PAL building in Parsippany. Over 30,000 square feet of gyms, utilities rooms, and hallways held over 200 eight-foot tables filled with vintage and contemporary toys, movie memorabilia, comic books, video games, artwork, and more. From hard-to-find G.I. Joes to the latest Funko POP! figures, the vendors offered a huge range of toys at reasonable prices.

Special note: Madeleine Holly-Rosing is a Fanbase Press Contributor, and Sebastian Kadlecik is the writer/artist of Fanbase Press’ Penguin vs. Possum comic book series, as well as the creator of the upcoming series, Quince.

As one of the last panels of Stan Lee’s Los Angeles Comic Con on Sunday afternoon, October 30, moderator Barbra Dillon led “Fanbase Press Presents: A Guide to Self Publishing” and assembled a group of panelists who have published projects independently. Lending their expertise were Josh Trujillo (Death Saves: Fallen Heroes of the Kitchen Table, Love Machines), Amanda Meadows (from The Devastator: We Don’t Think Your Racist), Madeleine Holly-Rosing (Boston Metaphysical Society), Sebastian Kadlecik (Penguins vs. Possums, Quince), and Joshua Henaman (Bigfoot: Sword of the Earthman).

In anticipation of Peter Jackson's The Lord of the Rings trilogy, four fans were inspired to create a website that they aptly called The One Ring (TORn). It started as a basic, informational landing page with a message board in which fans could discuss all-things Tolkien. Although the LoTR and Hobbit films have faded with time, it does not mean that the fandom surrounding them has subsided. Cliff Boardway moderated the Saturday, October 29th, panel “Tolkien Fandom: The Road Goes Ever On” and was joined by fellow Tolkien enthusiasts that included Josh Rubenstein, Cathy Udovch, and Nancy Steinman.

On the last morning of Stan Lee’s Los Angeles Comic Con, a small audience group gathered for the “From Wonder Woman to Elektra: How are Women Characters Represented?” panel which was moderated by Jessica Tseang (Little Geek Girl). Joining her were Ify Nwadiwe (Krillin It with Dani and Ify), Dani Fernandez (Krillin It with Dani and Ify), Barbra Dillon (Editor-in-Chief, Fanbase Press), and Steven L. Sears (Xena: Warrior Princess, Sheena).

Moderator Russell Nohelty (founder, Wannabe Press) posed the question: How do you build an audience when you don’t have a product to sell? To answer that question, Nohelty assembled a handful of creators that included Bryant Dillon (Fanbase Press President and Co-Founder), Lynly Forrest (HexComix Producer), Neo Edmund (author of A Tale of Red Riding: Rise of the Alpha Huntress), Joie Brown (writer/artist of Heavenly Kibble Guardian Corgi), and Mom (organizer of the Los Angeles Women’s Comic Creator Group - a.k.a. The Ladybugs).

It was 75 years ago that Wonder Woman first appeared in the December 1941 All-Star Comics #8 as an 8-page story. The warrior princess was created and written by William Moulton Marston, while artist H.G. Peter brought her to life visually. She is a founding member of the Justice League and has most recently been honored in the real world a couple of weeks ago with a UN Honorary Ambassador for the Empowerment of Women and Girls. And, at Stan Lee’s Los Angeles Comic Con last weekend, she was the subject of multiple panels, including “Wonder Woman 75: A Retrospect of an Icon,” moderated by Londyn Jackson, who was appropriately attired in a Wonder Woman costume. Joining Jackson were Shannon Farnon (voiced Wonder Woman on Hanna-Barbera’s Super Friends), Cat Staggs (artist, Wonder Woman ’77), Marc Andreyko (writer, Wonder Woman ’77), Susan Eisenberg (voiced Wonder Woman on Cartoon Networks’ Justice League and Justice League Unlimited), Christie Marston (granddaughter of William Moulton Marston), and Albert Ching (Managing Editor, Comic Book Resources).

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