“It’s not our place to decide who lives and who dies! We’re not gods!”
“Maybe not, but we’re the next best thing.”
-- Dr. Bashir and Jack
How many people are permissible to kill? Chances are, you said zero, because you’re a good person. But even now, you’re probably counting up the exceptions. What if someone was threatening a loved one? What if someone was in pain and would die in agony otherwise? What if you had to choose between killing a stranger and your own child? There are always reasons to kill.
“I couldn’t leave without saying hello to myself.”
-- Intendant Kira
The way I experience DS9’s Mirror Universe episodes is emblematic of the way I view the series as a whole. For the most part, my opinion of any one episode is fairly constant; if I liked it when it aired, I like it now. The major exception are the Mirror Universe episodes. I used to love those things. Like, seriously love them. Look forward to them every season. I was even mad that “Trials and Tribble-ations” -- you know, one of the consistently top-rated episodes in the entire series -- meant there wouldn’t be a Mirror episode in Season 5.
“We Klingons often tout our prowess in battle, our desire for glory and honor above all else. But how hollow is the sound of victory without someone to share it with? Honor gives little comfort to a man alone in his home. And in his heart.”
-- General Martok
Wedding episodes are a sure sign that a show is getting a bit long in the tooth. To loyal viewers, though, they’re nearly always welcome. As you’ve been living with these characters for several years now and their romantic entanglements have become bizarrely important. There’s a reason shipping is one of the most recognizable and ubiquitous forms of modern fandom. For a Star Trek show, wedding episodes give the unique opportunity to explore the marriage customs of an alien culture. And though these are distressingly hetero-normative (something that becomes more glaringly obvious as progress marches along in the real world), they are still a lot of fun.
“A true victory is to make your enemy see they were wrong to oppose you in the first place. To force them to acknowledge your greatness.”
If you want to understand Dukat (and I’ve taken to eliminating his rank, because at this point, he’s the de facto leader of the Cardassian government, and after this point he doesn’t really have a rank at all), the key is that quote right there. That explains pretty much every single action our favorite Space Hitler has taken since the beginning of the series, stretching into the backstory revealed in flashback episodes. His need to not only be right, but be acknowledged for it, makes Dukat a weirdly prescient creation, or else the rise of social media has made people like him far more visible.
“When I go home, it will be to Bajor.”
-- Captain Benjamin Sisko
Long-time viewers were probably disturbed a bit by Odo’s abrupt turn to evil last week. I know it disturbed me back when I was originally watching the show. Though Garak was my favorite character overall, Odo was always up there with Kira as my favorite among the regulars. So, to watch this man, who has never been anything but a paragon of justice, suddenly turn to tacitly supporting the Dominion’s tyrannical rule and condemning poor Rom to the firing squad was disturbing.
“I tried. I tried my best to run my establishment under this occupation. But, you know what? It’s no fun. I don’t like Cardassians. They’re mean and arrogant. And I can’t stand the Jem’Hadar. They’re creepy. They just stand there like statues, staring at you. That’s it. I don’t want to spend the rest of my life doing business with these people. I want the Federation back. I want to sell root beer again!”
As a young fan, I used to be frustrated about the lack of really alien-aliens on Star Trek. Oh sure, occasionally you’d get something like the black slime guy who killed Tasha Yar, or a good Janusian Horta, but nine times out of ten, you’re just seeing some guy with slightly different forehead ridges. They even stopped painting their guest stars bold colors, so we don’t get creations like Orions or Andorians. Of course, the reality is, they only have so much money and so much time to get actors into complicated prosthetics. At the end of the day, Star Trek aliens are mostly going to be roughly humanoid for purely practical reasons.
“I will teach you what you need to know to be a warrior, and you will teach me what I need to know to be a father.”
-- Lt. Commander Worf
Giving a character family is always a tricky proposition. On one hand, it anchors them to reality, making them relatable to the large swaths of the viewing audience who have families. On the other, it saddles you with a bunch of ancillary characters who, by definition, don’t do a whole lot for your narrative. If their purpose is to contrast with the major character’s crazy life, a.k.a. The Skyler White Dilemma, they have to be boring to serve a purpose in the story. If they’re too focused on the major character, it feels like they have no lives of their own. And let’s be honest, who needs a stinking kid on your show?
“There are rules, Garak, even in a war!”
“Correction. Humans have rules in war. Rules that make victory a little harder to achieve, in my opinion.”
-- O’Brien and Garak
The idea that there are rules during war is pretty ridiculous, if you get right down to it, especially once war graduated into the relatively modern ideal of industrialized slaughter ushered in by the American Civil War. The thing is, we kind of need rules, or every war would instantly turn into competing attempts at genocide. If there’s one thing most people can agree on in principle, it’s that genocides should be avoided as much as possible.
“Permanent documentation file, Dukat, S.G. Each day brings reports of new victories. The war continues to go well. The enemy is retreating on all fronts. It’s only a matter of time before the Federation collapses and Earth becomes another conquered planet under Dominion rule. All in all, it’s a good time for Cardassia... and the Dominion.”
If you go back to my earliest entries in this series, you’re going to see a lot of handwringing. A lot of me apologizing for a series that is, to put it as charitably as possible, is trying to find its voice. Whenever I recommend the show to people, I always tell them to skip vast swaths of the first season and significant chunks of the second in order to get to the good stuff. After all, as I say many times, it takes a lot of time for DS9 to become the show that it is remembered as being: dark, serialized, and driven by the kind of action that until that time had been confined to the movies. Well, with this episode, the sixth season opener, “A Time to Stand,” DS9 is finally that show.
“When I first took command of this post, all I wanted was to be somewhere else. Anywhere but here. But now, five years later, this has become my home, and you have become my family. And leaving this station, leaving you, is one of the hardest things I’ve ever had to do...I promise, I will not rest until I stand with you again, here. In this place where I belong.”
-- Captain Benjamin Sisko
The cliffhanger is one of the great tricks of writing. Essentially, you set something up, preferably an unsolvable situation, and that propels the audience to seek out the next installment. They have to in order to know how it comes out. Most long-form art, whether it’s comics, novels, or serialized television, like to finish out issues, chapters, or episodes with some kind of twist or revelation that functions in much the same way. It’s not always the best tactic from the perspective of the writers, though.