I read somewhere that indie comic books are outpacing superhero comic books. Gideon Falls is one of the reasons why. Jeff Lemire and other writers of his ilk are writing books that tell stories in the comic book format that would be difficult to tell with any superhero at the center… because with superhero stories, you know - in one way or another - the superhero will win. Everything will be set right. Death is never forever. The only thing a reader can hope to happen that may mix things up is that the hero will lose something of personal value along the way. Some writers can tap into this for short runs. I’m not asking for tragedy. I’m asking for uncertainty. On the other hand, heroes may learn something new on their journeys, but how many times can those characters learn the same things… lose the same things over the course of 20, 30, 60 (!) years before readers start looking for fresh alternatives and new visions. The comic book industry is at a tipping point.
The first issue of Something is Killing the Children by James Tynion IV and Werther Dell’edera introduced us to a dark and bloody situation as a group of kids were brutally ripped apart by a monster. Because it’s James Tynion IV, it was emotional and provocative, and artist Dell’edera showed these events to us in a viscerally arresting way. The survivor: a gay young man in high school named James. By the end of the issue, James meets a wickedly badass monster hunter named Erica Slaughter.
Quick recap from the last issue: The Second Unification War seems inevitable. It’s up the Mal, Moon, and the rest of the crew to keep things from blowing up. Well, blowing up more than usual, that is.
A quick recap: Having witnessed the resurrection of King Arthur and a few of his faithful knights, Bridgette and Duncan have the daunting task of stopping them. Armed with a magical scabbard that heals all wounds, Arthur seems pretty unstoppable right now…
I've mentioned in my reviews before that I am a huge fan of the Dungeons & Dragons show, Critical Role. I've been a fan of the show for a long time, and as its popularity has grown, so has the desire for more and more content related to the tales of the group of plucky adventurers known as Vox Machina. While their story wrapped up quite awhile ago, the public version of the show began in the middle of things, as Vox Machina had already become a well-known adventuring party as fans began to get to know these characters. With that, the cast and creators of the show struck a deal with Dark Horse Comics to share the team's pre-live-streaming adventures. These are the beginnings of the group, how they met and what became of them as they grew from a band of bumbling idiots to the saviors of the world.
Bizarre, emotional, and strangely poignant. Not really the words I expected to use when talking about a video game tie-in comic, but this is where I find myself with today’s outing. Minecraft: Stories from the Overworld is a curious anthology of tales set in the Minecraft universe. Somewhat akin to Minecraft: Volume 1, which I reviewed earlier this year, Stories from the Overworld has the same feeling as its predecessor but gives different artists and writers the chance to cut their teeth on the Minecraft world.
World War II is coming to an end, but the Black Hammer Squadron has one last mission. The elite group of African American pilots, under the command of Captain "Hammer" Hawthorne, is tasked with rescuing a family of scientists from a concentration camp. They battle through occult German forces, mechanized Soviet soldiers, and come face to face with The Ghost Hunter, the deadliest Nazi pilot in the sky. The world of Black Hammer goes to war in this high-flying adventure from artist Matt Kindt and co-writers Jeff Lemire and Ray Fawkes.
Frankenstein and his creator, Mary Shelley, are an indelible part of western culture. So much so that horror stories written by other Victorian women have been overshadowed. Fortunately for us, Kymera Press has dug into the past and searched out horror stories by Victorian women that had been lost until now.
As long as there are kids who love to be scared, R.L. Stine will be there, lurking in the shadows with his latest creations. Though I was just a few years older than his intended audience, I devoured his Fear Street books and later Goosebumps, all while wishing he’d published them several years earlier to scare me to sleep alongside my Stephen King novels.