For pretty much anyone who’s reading this, chances are, at some point in your life, you’ve wanted to be a superhero. Having superhuman powers would be amazing, of course, but the appeal is more than that. It’s the confidence they project, the respect they command, and the unflappable nobility that they exude that makes superheroes so cool, and that makes us long to be them.
The FFOW! series takes a look at that vast library created by the proud and the passionate: fan films. Whether the budget and talent is astronomical or amateur, FFOW! celebrates the filmmakers whose love of comics, books, movies, video games, and TV shows inspires them to join the great conversation with their own homemade masterpieces.
Writer/director Hisonni Johnson made a splash in 2013 when he premiered Grayson: Earth One, an online pilot that centered on a gritty version of Nightwing. It asks the question, “What if Dick Grayson was never adopted by Bruce Wayne but, instead, fended for himself on the streets of Gotham and Blüdhaven?” Since then, it has won top prizes at Dragon Con, Phoenix Comic Con, and recently at the GeekFest Film Fest.
Now, there’s Episode -- or, technically, Episode 1.5, since the story is now branching out and finding other Robins in Gotham and what their lives would be like if they never encountered the Batman. So, in honor of the Dynamic Duo, let’s look at both episodes!
Shevenge, an 11-minute film which screened at the Dances With Films festival on Saturday evening, is the tale of three women and the men who wronged them. Each of them spins an elaborate revenge fantasy, which the three of them proceed to act out in their collective imaginations.
The captivating and otherworldly artwork of Swiss surrealist artist H.R. Giger has, for years, influenced, terrified, and enthralled the world around him with his dark and often erotic paintings and designs. Bursting (sans chest in this case) into the global spotlight with his Academy Award-winning work on the sci-fi horror classic, Alien, in 1979, Giger himself has remained a mysterious and intriguing figure to his fans for some time, but with the upcoming release of Icarus Films’ definitive documentary, Dark Star: H.R. Giger’s World, director Belinda Sallin invites audiences into the personal home and artistic soul of Giger like never before.
The main focus of the trailer, posters, and most other publicity for Kill Me Three Times is star Simon Pegg. So, the first thing you’ll probably notice upon watching the actual movie is that his name appears dead last in the opening credits, as “and Simon Pegg,” the way they do with major celebrities in minor character roles. In truth, this is an ensemble piece, and though Mr. Pegg’s role is significant, it’s not the focal point of the film.
I'm a sucker for friendship. Maybe that's because my friends mean everything to me. Don't get me wrong, I love my family and all, but friends are the people who are there for you when family isn't. However rarely or frequently your family can't be there to support you, good friends who will be are hard to come by. Thus, I say it again; I'm a sucker for friendship. So, naturally, Guardians of the Galaxy was like my life mantra.
(Although I don't intend to give away the entire plot, I may mention key events in the movie that some readers may want to be surprised by.)
I'm not gonna lie. I went to see the new Teenage Mutant Ninja Turtle movie with low expectations. In doing so, the movie didn't turn out to be half bad. And, as a huge TMNT fan growing up, that's saying something. Allow me to give you my thoughts about what worked and what didn't work, and then feel free to argue with me in the comments below.
There’s a poignant moment in Still Alice wherein the titular character, played by Julianne Moore, says, “I wish I had cancer.” When you have cancer, everyone wears ribbons in your honor, raises money, and gives you their utmost sympathy and, more importantly, respect. Alice doesn’t have cancer. She has Alzheimer’s. Instead of being embraced by society, she’s made to feel embarrassed by the things she says and does. Instead of people’s sympathy, she gets their pity, which is not the same. And, instead of destroying her body, the disease takes away her mind, piece by piece.
Faults starts out as a broad comedy, then gradually transitions into a tense thriller, before finally ending up as . . . something else. It’s hard to say what. Regardless, though, the film manages to be entertaining and compelling throughout.
The official plot synopsis of Self Made heralds it as an Israeli body-switching comedy. I suppose this is technically accurate, but it’s also a bit misleading. It’s more like Trading Places or The Prince and the Pauper than, say, Freaky Friday, and even that’s not the most accurate description. This is a very quiet, subdued movie and different from anything I’ve ever seen.